{"id":7511,"date":"2021-02-08T16:01:21","date_gmt":"2021-02-08T16:01:21","guid":{"rendered":"https:\/\/rociosantacruz.com\/paris-photo-online-6-german-lorca\/"},"modified":"2021-02-08T16:01:24","modified_gmt":"2021-02-08T16:01:24","slug":"paris-photo-online-6-german-lorca","status":"publish","type":"post","link":"https:\/\/rociosantacruz.com\/ca\/paris-photo-online-6-german-lorca\/","title":{"rendered":"Paris Photo online #6 &#8211; Germ\u00e1n Lorca"},"content":{"rendered":"<p>Reprenent la nostra darrera publicaci\u00f3, en aquesta sisena entrega de <b>Paris Photo online<\/b> us presentem la segona part de la nostra edici\u00f3 sobre el col\u00b7lectiu <b>Foto Cine Clube Bandeirante (FCCB)<\/b>. RocioSantaCruz treballa activament amb el fons familiar de diferents artistes del FCCB i \u00e9s un referent internacional del <i>Fotoclubismo<\/i>. Us compartim l\u2019obra de <a href=\"https:\/\/rociosantacruz.com\/artistas-rsc\/german-lorca\/\"><b>Germ\u00e1n Lorca<\/b><\/a>.<\/p>\n<p><img class=\"alignnone wp-image-7502\" src=\"https:\/\/rociosantacruz.com\/dev\/wp-content\/uploads\/2021\/02\/Captura-de-pantalla-2021-02-08-a-las-16.53.11-221x300.png\" alt=\"\" width=\"407\" height=\"552\" srcset=\"https:\/\/rociosantacruz.com\/dev\/wp-content\/uploads\/2021\/02\/Captura-de-pantalla-2021-02-08-a-las-16.53.11-221x300.png 221w, https:\/\/rociosantacruz.com\/dev\/wp-content\/uploads\/2021\/02\/Captura-de-pantalla-2021-02-08-a-las-16.53.11.png 475w\" sizes=\"(max-width: 407px) 100vw, 407px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><b>Germ\u00e1n Lorca (S\u00e3o Paulo, 1922)<\/b><\/p>\n<p>Comptable de formaci\u00f3, Germ\u00e1n Lorca s\u2019un\u00ed al FCCB el 1949 com a fot\u00f2graf amateur. No trig\u00e0 a convertir la fotografia en la seva \u00fanica professi\u00f3. El 1952, deixa definitivament la comptabilitat per a obrir el seu primer estudi fotogr\u00e0fic. Els primers anys de la seva carrera professional estan marcats per una productivitat fren\u00e8tica i una clara intenci\u00f3 de transcendir els codis est\u00e8tics vigents, producte dels fervents debats del FCCB envers <b>l\u2019experimentaci\u00f3<\/b> i els <b>l\u00edmits del llenguatge visual<\/b>.<\/p>\n<p>L\u2019obra de Lorca articula una sort de <b>po\u00e8tica urbana<\/b> dels carrers de S\u00e3o Paulo, composta per paisatges a la vegada quotidians i desconcertants. Combinant la intimitat i l\u2019estranyament, crea <b>composicions ambig\u00fces i evocatives<\/b>. El <i>punctum<\/i> de Roland Barthes adquireix aqu\u00ed un protagonisme imprevist, ja que les fotografies de Lorca estan farcides de perforacions, esquin\u00e7aments, inquietants (des)trobades amagades en escenaris aparentment familiars. Sols mirant a trav\u00e9s d\u2019aquestes fissures visuals, i no al seu voltant, \u00e9s possible desxifrar el fascinant imaginari de Lorca, la l\u00facida llibertat de la seva mirada.<\/p>\n<p><img class=\"alignnone wp-image-7505\" src=\"https:\/\/rociosantacruz.com\/dev\/wp-content\/uploads\/2021\/02\/image-2-194x300.jpeg\" alt=\"\" width=\"410\" height=\"634\" srcset=\"https:\/\/rociosantacruz.com\/dev\/wp-content\/uploads\/2021\/02\/image-2-194x300.jpeg 194w, https:\/\/rociosantacruz.com\/dev\/wp-content\/uploads\/2021\/02\/image-2-661x1024.jpeg 661w, https:\/\/rociosantacruz.com\/dev\/wp-content\/uploads\/2021\/02\/image-2-991x1536.jpeg 991w\" sizes=\"(max-width: 410px) 100vw, 410px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>La seva obra ha estat inclosa en importants col\u00b7leccions arreu del m\u00f3n, com ara <b>Banco Ita\u00fa<\/b> (S\u00e3o Paulo), <b>Museu de Arte de S\u00e3o Paulo<\/b> (MASP), <b>Pinacoteca do Estado<\/b> (S\u00e3o Paulo), <b>Cisneros Fontanals Art Foundation<\/b> (Miami) i <b>MoMA<\/b> (New York).<\/p>\n<p><a href=\"https:\/\/mcusercontent.com\/fef168dccdbc6b957629a4db0\/files\/da3bf5f7-d2b7-4d9c-8a39-08ff2a7d537a\/Germa_n_Lorca_Dossier_Paris_Photo_online_2020_CAST_.01.pdf\">Dossier &#8211; German Lorca &#8211; Paris Photo online<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reprenent la nostra darrera publicaci\u00f3, en aquesta sisena entrega de Paris Photo online us presentem la segona part de la nostra edici\u00f3 sobre el col\u00b7lectiu Foto Cine Clube Bandeirante (FCCB). RocioSantaCruz treballa activament amb el fons familiar de diferents artistes del FCCB i \u00e9s un referent internacional del Fotoclubismo. Us compartim l\u2019obra de Germ\u00e1n Lorca. &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/rociosantacruz.com\/ca\/paris-photo-online-6-german-lorca\/\"> <span class=\"screen-reader-text\">Paris Photo online #6 &#8211; Germ\u00e1n Lorca<\/span> Llegeix m\u00e9s &raquo;<\/a><\/p>\n","protected":false},"author":2,"featured_media":7497,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/rociosantacruz.com\/ca\/wp-json\/wp\/v2\/posts\/7511"}],"collection":[{"href":"https:\/\/rociosantacruz.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rociosantacruz.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rociosantacruz.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rociosantacruz.com\/ca\/wp-json\/wp\/v2\/comments?post=7511"}],"version-history":[{"count":1,"href":"https:\/\/rociosantacruz.com\/ca\/wp-json\/wp\/v2\/posts\/7511\/revisions"}],"predecessor-version":[{"id":7512,"href":"https:\/\/rociosantacruz.com\/ca\/wp-json\/wp\/v2\/posts\/7511\/revisions\/7512"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rociosantacruz.com\/ca\/wp-json\/wp\/v2\/media\/7497"}],"wp:attachment":[{"href":"https:\/\/rociosantacruz.com\/ca\/wp-json\/wp\/v2\/media?parent=7511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rociosantacruz.com\/ca\/wp-json\/wp\/v2\/categories?post=7511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rociosantacruz.com\/ca\/wp-json\/wp\/v2\/tags?post=7511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}