Two busts of a woman and a man are made up of fragments of their own faces, like archaeological remains, multiple and fragmented, of their history. A history that comes to an end when the sculptures crumble, soft and inconsistent, around roses or penetrated by lilies. If in the baroque vanitas the flowers represented a pleasant but ephemeral existence, here they remain, the fleetingness is only human. Marina Núñez presents the two single-channel videos Vanitas (1), Vanitas (2), 2019, in the exhibition CRYPTO ART: A NEW POSSIBILITY EXHIBITION at the Dynamicart Museum.