The Bonart article highlights the exhibition. Colita. Inexorable.

The magazine Bonart publishes an article dedicated to the exhibition Colita. Inexorable , currently at the RocíoSantaCruz gallery, where a selection of vintage photographs taken by Colita between the 1960s and 1980s is presented.

The text highlights the author’s reflection on the passage of time and the materiality of the photographic image. Bonart emphasizes how Colita turns photography into a space for experimentation, where degradation, trace, and the physical transformation of the prints become part of the visual discourse itself, moving away from the classical notion of the image as a fixed document.

The publication highlights the poetic and conceptual nature of the exhibition, in which landscapes, objects, and silent scenes function as devices of memory. The deliberate deterioration of some works, caused by humidity and abandonment, reinforces a critical reading of the fragility of the image and its ability to contain time, experience, and memory.

Colita. Inexorable , produced in collaboration with the Colita Archive, can be visited at the RocíoSantaCruz gallery until March 15, 2026.

*All the photographs presented in the exhibition carry the following copyright
©Archivo Colita Fotografía

Read the full article here: https://www.bonart.cat/es/n/46021/colita-ante-la-inexorabilidad-del-tiempo-en-rociosantacruz

The New Barcelona Post highlights the exhibition Barcelona en diálogo by Pilar Aymerich and Toni Amengual at Fujifilm.

You can read the full article at the following link: https://www.thenewbarcelonapost.com/magia-tecnica-fotografia-house-photography-fujifilm/

El Periódico highlights the exhibition “Barcelona in dialogue” by Pilar Aymerich and Toni Amengual.

You can read the full article at the following link: https://www.elperiodico.com/es/ocio-y-cultura/20251105/exposicion-fotos-barcelona-pilar-aymerich-toni-amengual-fujifilm-house-of-photography-123398221

Fujifilm Imaging Magazine highlights the exhibition “Barcelona in dialogue” by Pilar Aymerich and Toni Amengual.

You can read the full article at the following link: https://imagingmagazine-es.fujifilm.com/una-exposicion-y-dos-barcelonas-con-pilar-aymerich-y-toni-amengual/

Fisheye Immersive dedicates an article to The Breathing Lake by Dionís Escorsa

The report underscores the experimental and poetic nature of the work, conceived as a living landscape that transforms in real time. Fisheye Immersive highlights how Escorsa treats time as an active material, integrating climate data and dynamic projection to explore the relationship between memory, territory, and environmental mutation.

The publication places emphasis on the reactivation of the motif of the submerged bell tower of the Sau reservoir, projected onto canvases and traditional pictorial supports. Through this gesture, the inherited image becomes a device of memory in constant transformation, where past and present engage in dialogue through a contemporary visual and sensory experience.

Read the full article here: https://fisheyeimmersive.com/article/ceci-nest-pas-un-film-9-the-breahing-lake-de-dionis-escorsa/

Le Quotidien de l’Art highlights in its article the names of the nominees for the 2025 edition of the Marcel Duchamp Prize.

Read the full article at the following link: Prix Marcel Duchamp 2025 : les quatre artistes nommés

La Vanguardia highlights the LOOP Festival.

The video art fair takes over the rooms of the Hotel Almanac Barcelona, where the work “El lago que respira” by Dionis Escorsa was exhibited.

Full article: https://www.lavanguardia.com/cultura/20251119/11278252/feria-arte-loop-habitaciones-hotel-imaginar-nuevos-mundosinstrumentos-hechos-basura-feria-loop-imagina-nuevos-futuros.html

Read the full article at the following link:

Paris Photo: heridas, tensiones y nuevas miradas en una feria en constante reinvención

The Ajoblanco article highlights the exhibition The cosmic bell and the breathing lake by Dionís Escorsa.

Ajoblanco magazine, in its issue 02 — Art (pp. 50–55), features an article by Antonella Medici dedicated to the exhibition The cosmic bell and the breathing lake by Dionís Escorsa.

The feature underscores the experimental and poetic nature of the project: the work becomes a device of memory, where past and present enter into dialogue, visual tradition blends with technology, and inherited images come back to life in new forms. Ajoblanco describes how Escorsa works with the idea of time as a malleable material and offers a critical reading of the relationship between memory, landscape, and transformation.

The publication highlights how the artist reactivates the watercolor painted by his grandfather through video projection, painting, and installation, turning the inherited image into a device of memory and transformation.

The public will be able to enjoy the sculpture series Universes and the drawings The Coughing House and The Tallest Flower, which will remain on view at Galería RocioSantaCruz until December 11.

Read the full article here.: https://www.ajoblanco.org/revistas/02-arte