Uncategorized

Andres Galeano participates in the group exhibition Murs écrans, an exhibition that brings together five artists, both Quebecois and Catalan, who undertook an exchange at the time of the pandemic, when international mass circulation was suspended and creation took place under lock and key. Evolving in a world of communication where image and thought overlap, the artistic reflection provokes different encounters with the Other. It is in this exhibition where Andres Galeano presents his latest research, SINDOGRAPHIES. Une étude photographique. Starting from a conceptualization of the Holy Shroud, the first proto-photography in history, he makes a photographic speculation on the formation of the mysterious image of the dead body of Christ on a linen cloth and its relationship with contemporary screens.

The exhibition will be on view from January 13 to February 19, 2023 at the Broadcast and Production Center of Photography, Québec (Canada).

Mar Arza, Pep Duran and Fina Miralles participate in the new exhibition of the MACBA Collection. Prelude, which offers a space for reflection and critique in which the “art” experience is presented as a generating and emancipating principle. This new approach to the Collection will make use, in large part, of works acquired in recent years that seek new scenarios of relationship with existing works from the Collection. A new storytelling is thus configured that embraces absences and enables other discourses as common spaces, scenarios of the possible to question and update the forms of relationship that artistic practices establish with the subjects.

Curated by Elvira Dyangani Ose, Antònia M. Perelló Ferrer, Claudia Segura Campins and Patrícia Sorroche.

The exhibition will be on view from December 14, 2022 to mid-2024 at the Museu d’Art Contemporani de Barcelona.

Santa Cruz de Tenerife has hosted the award ceremony of the Gold Medals of Merit in Fine Arts 2021, with which the Ministry of Culture and Sports has distinguished 33 personalities and entities that have excelled in the field of artistic and cultural creation or provided outstanding services in the promotion, development or dissemination of art and culture or in the conservation of artistic heritage.

Colita (born in Barcelona in 1940) has developed a fundamental work to understand the social changes of the country in the second half of the 20th century.

Miguel Rio Branco (1946) is one of the most respected names in contemporary Brazilian photography. The IMS Gallery with the exhibition Palavras Crusades takes up its original contribution by using photography as a basic element of visual writing, capable of giving new meanings to images. To do this, the artist reviews the entire archive of his life, from the rare black and white images, captured in New York in the 1970s, when he began his artistic experiments, to recent works. They are more than 200 works, which investigate topics such as sexuality, violence, pain and loneliness.

Until March 26, 2023
IMS Rio
Rio de Janeiro

ARTISTS: Răzvan Anton, Răzvan Botiș, Vlatka Horvat, Kristina Horvat Blažinović, Alina Manolache, Sebastian Moldovan, Damir Očko, Diogo Pimentão, Mihai Plătică, Mihai Șovăială, Marko Tadić, Ignacio Uriarte

Articulated around the ideas of affinity and connection, the exhibition brings together six artists represented by the gallery and six artists that they invited:
Răzvan Anton → Mihai Șovăială
Vlatka Horvat → Kristina Horvat Blažinović
Sebastian Moldovan → Alina Manolache
Damir Očko → Marko Tadić
Mihai Plătică → Răzvan Botiș
Ignacio Uriarte → Diogo Pimentão
The Domino Effect 3 adds to our previous exhibitions that have set up a chain reaction between artists, encouraging dialogue and collaborative exchange.

A project curated by Ángel Calvo Ulloa
With the artists: Alejandra Pombo Su
Diego Vites
Mariana Caló and Francisco Queimadela
Oriol Vilapuig

Diego Vites, Alejandra Pombo Su, Oriol Vilapuig, Mariana Caló and Francisco Queimadela participate in this exhibition that does not want to vindicate past times, but to show with four well differentiated cases other ways of handling and quoting in a critical way the sources of the history of art. The exhibition is thus configured on the basis of a series of punctual or long-term works, which have in the forms attributed to the Romanesque an analytical, renewed starting point that flees from the atrophy that today is the fact of having turned the gestures of the avant-garde into ankylosing regionalist traditionalisms.

It can be visited until December 16 at Nordés Gallery, Santiago de Compostela.

As an echo to the France-Portugal 2022 season, the Drawing House  hosts in its exhibition space the Drawing Hall, a solo exhibition by the artist Diogo Pimentão. The exhibition is supported by the Camões Cultural Center in Paris.
For Diogo Pimentão, working in a space inside a hotel was an opportunity to reflect on his relationship with such an unusual space, domestic and public at the same time. He rarely stays in a hotel for vacation, but rather for work purposes. But then, can the hotel become the extension of the artist’s mental space? The possibility of (re)thinking his work?

The exhibition will be on view until January 15, 2023 at  The Drawing House in Paris.

Collective exhibition in Laac, Dunkerque, for the 40 years of the museum.

The participating artists :
Karel APPEL – Pierre ALECHINSKY – ARMAN – Jean ARP – ATILA – Jean-Michel ATLAN – Anna-Eva BERGMAN – Pierre-Yves BREST – Camille BRYEN – Marcelle CAHN – Alexander CALDER – CÉSAR – Jean CHRISTOFOROU – Chu TEH- CHUN – Dominique DE BEIR – Olivier DEBRÉ – Gilbert DECOCK – Christine DEKNUYDT – Sonia DELAUNAY – Charlotte DENAMUR – Jean DEWASNE – Eugène DODEIGNE – Noël DOLLA – Jacques DOUCET – Gérard DUCHÊNE – Natalia DUMITRESCO – ERRÓ – Maurice ESTÈVE – Henri GOETZ – Cecilia GRANARA – James GUITET – Hans HARTUNG – Maya HAYUK – Auguste HERBIN – Toshimitsu IMAÏ – Joëlle JAKUBIAK – Paul JENKINS – Michèle KATZ – Farah KHELIL – Ladislas KIJNO – Louis LATAPIE – Eugène LEROY – Aglaé LIBERAKI – Ludovic LINARD – Béatrice LUSSOL – Alberto MAGNELLI – Gottfried MAIRWÖGER – Robert MALAVAL – Alfred MANESSIER – Maurice MARINOT – Natacha MERCIER – Jean MESSAGIER – Jean- Michel MEURICE – Joan MIRÓ – Marianne MISPELAËRE – Jürgen NEFZGER – Bernard PAGÈS – Édouard PIGNON – Diogo PIMENTÃO – Serge POLIAKOFF – Georges ROUAULT – Gérard SCHNEIDER – Gustave SINGIER – Pierre SOULAGES – Pierre THEUNISSEN – Maxime THIEFFINE – Raoul UBAC – Arthur VAN HECKE – Victor VASARELY – Maria Helena VIEIRA DA SILVA – Hugh WEISS.

On view until May 7, 2023, at the LAAC, Dunkerque.

Like the nineteenth-century photo albums that showed the European bourgeoisie what the inhabitants of foreign countries were like, Miguel Trillo has formed a corpus of images that for the last four decades has collected what the young people of all kinds of urban tribes in Madrid, New York, Los Angeles, Tokyo, Seoul and Kuala Lumpur are like. An entomologist who has been collecting weirdos since he started going to concerts in the Spanish capital in the mid-seventies, with the Movida on the verge of exploding. Trillo, 69, born in Jimena de la Frontera (Cádiz), receives this weekend a tribute in the 19th edition of the Photographic Encounters of Gijón.

The exhibition can be visited from November 25 to December 31, 2022 at the Barjola Museum in Gijon.

Itinerarios XXVII

displays the works of the eight artists selected in the last call for Art Grants of the Botin Foundation: Armando Andrade Tudela (Peru), Lucía Bayón (Spain), Alfonso Borragán ((sic)) (Spain), Gonzalo Elvira (Argentina), Seila Fernández Arconada (Spain), Assaf Gruber (Israel), Joan Morey (Spain) and Ana Santos (Portugal).

Their projects were selected from a total of 428 applications from 42 different countries by a jury made up of artists Maria Bleda and Carlos Bunga (previous grant recipients) and curators Orlando Britto and Maria Ines Rodriguez.

The exhibition culminates the course of this grant, reflecting a breadth of artistic interests and practices.

It will be on view through April 16, 2023 at  Centro Botín in Santander.