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In its coverage of ARCOmadrid 2026, the newspaper El País highlights the strong presence of nature as one of the central imaginaries of this edition, where the tree appears as a recurring symbol in numerous works and projects. The article also points to stands such as our gallery’s, recognising the value of the proposal we present for this edition of ARCOmadrid 2026.

You can read the full article at the following link.: En el bosque de obras de Arco, el árbol es el protagonista

The Castile and León edition of the newspaper La Razón reports on artists from the region and highlights the work of Teresa Gancedo.

You can read the full article at the following link: Alrededor de una veintena de artistas representará a Castilla y León en ARCO, que arranca este miércoles

Just two days before the start of ARCOmadrid 2026, the cultural section of El País outlines how galleries are navigating the current state of the art world in Spain.

Read the full article at the link below: Las ferias de arte, un arma de doble filo para las galerías

On the occasion of RocioSantaCruz’s participation in ARCOmadrid 2026, which will take place from 4 to 8 March, the gallery will remain closed until 10 March.

On the occasion of RocioSantaCruz’s participation in ARCOmadrid 2026, which will take place from 4 to 8 March, the gallery will remain closed until 10 March. Colita. Inexorable.

The cultural newspaper Núvol places the spotlight on Teresa Gancedo’s exhibition within the series. Verònica. Dones visionàries at the Fundació Vayreda, curated by Natàlia Chocarro, highlighting how the León-born artist engages in dialogue with the idea of the Vera Icon —the “true image,” not constructed but revealed— through a deeply symbolic, poetic, and autobiographical body of work.

The exhibition, which can be visited at Casa Vayreda in Olot until April 12, 2026, highlights more than five decades of work in which Gancedo has explored memory, spirituality, and the dreamlike dimension as spaces of resistance against the immediacy of the visible, turning painting into a territory where the intimate and the sacred merge to question what it truly means to see.

Read the full article at the following link: Verònica, vera icon, la imatge veritable

UEP Mallorca shines a spotlight on Javier Inés’ current exhibition at the Church of the Convent of Sant Domingo in Pollença and highlights the portrait of invisible Barcelona captured by the artist.

Read the full article at the following link: El retrat de la Barcelona invisible de Javier Inés

The Catalan newspaper El Punt Avui highlights the exhibition dedicated to Palmira Puig, emphasizing the scope of a retrospective that allows for an in-depth rediscovery, from a historical perspective, of the artistic strength and modern sensibility of a photographer who played a key role in the development of contemporary imagery.

Read the full article at the following link: Palmira Puig, ara sí una fotògrafa ben revelada

Within the framework of Murmullos, the live arts program of the Thirtieth Anniversary of the Museu d’Art Contemporani de Barcelona (MACBA), a special session of the Observatorio de Vídeo No Identificado (OVNI) will take place, featuring the participation of Dionis Escorsa.

The proposal revisits the experience that OVNI developed at the museum between 1996 and 1998, when it curated sixteen thematic video programs that were pioneering in their field and helped establish the first video library at MACBA. That project turned the moving image into a space for critical analysis and political reflection.

In this new session, Dionis Escorsa will take part in the reactivation of the archive, in a gathering that brings together past and present to rethink absences, memories, and contested narratives through images.

DATE
Friday, February 13, 2026

SCHEDULE
19:00 h

LOCATION
Auditorio Meier, MACBA

More information at the following link: MURMULLOS IV: GRITO DE OLVIDO. UNA SELECCIÓN DE VÍDEO A CARGO DEL OBSERVATORIO DE VÍDEO NO IDENTIFICADO

The Aragonese newspaper Heraldo de Aragón highlights the exhibition “Javier Inés. The Young Photographer (1956–1991),” inaugurated on February 8 in Pollença, emphasizing the importance of a retrospective that comprehensively recovers the artist’s legacy. The exhibition not only brings together his photographic work, but also personal objects and the toys that were part of his creative imagination, offering a complete and deeply contextualized view of his artistic universe.

Read the full article at the following link: Pollença se adelanta a Aragón y recupera las fotos, los objetos y los juguetes de Javier Inés

The exhibition Javier Inés, the Young Photographer (1956–1991) was inaugurated on February 8 at the Church of the Convent of Sant Domingo in Pollença, Mallorca.

An exhibition that highlights the historical and sociological significance of Javier Inés’s images, which document the transition from the underground scene to institutional modernity.

The exhibition can be visited until April 6, 2026 at the Museu de Pollença (former Convent of Sant Domingo), during the following opening hours: Monday to Sunday, from 10:30 am to 1:30 pm and from 5:00 pm to 8:00 pm.