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Fictions. Narrativity in contemporary art, in Artishock. Contemporary art magazine

In the Artishock exhibition they reflect on the exhibition Ficciones. Narrativity in contemporary art, curated by Ferrán Barenblit at the Museo de Arte de Zapopan (MAZ), Mexico.

Complete article: https://artishockrevista.com/2025/06/03/ficciones-narratividad-en-el-arte-contemporaneo/

-(03.06.2025)

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Works by Andrés Galeano and Gloria Oyarzabal in the exhibition Omnímoda. Photography as display

Andrés Galeano and Gloria Oyarzabal among the artists included in the exhibition. Omnímoda. Photography as display

The MUCAC La Coracha presents the exhibition The MUCAC La Coracha presents the exhibition , curated by Sema d’Acosta.

The exhibition can be seen until October 12 on the three floors of Building 2 of this space. The show is made up of over 100 works by more than 50 artists, such as Carmen Calvo, Cristina de Middel, Joan Fontcuberta, Esther Ferrer, Luis Gordillo, Pedro G. Romero, Marisa Gonzalez or Carlos Aires, Andres Galeano, Gloria Oyarzabal, among others.

 

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The Collector is Present 2025 / Galería RocioSantaCruz

As part of the program The Collector is Presente

  • 08.05.2025 – 17.30h

Guided visit to the exhibition Posar el dit a l’ull, by Lluís Hortalà, with the collectors Pilar Cortada and Miquel Molins, accompanied by Natàlia Chocarro and Rocío Santa Cruz.

Fundació Vila Casas. Espais Volart – Carrer d’Ausiàs Marc 22. Barcelona

 

  • 09.05.2025 – 18h

Inauguration of the exhibition De la nit que no acaba (E non acaba a noite), by Antón Lamazares.

Dialogue of Gloria Moure with Antón Lamazares

RocioSantaCruz Gallery. Gran Via de les Corts Catalanes 627. 08010 Barcelona

 

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The intuited and symbolic world of Teresa Gancedo, which is memory and remembrance, in Diari de Girona

The intuited and symbolic world of Teresa Gancedo, which is memory and remembrance, in Diari de Girona

Author: Cristina Vilà Bartis

Date: 13 de abril del 2025

About the exhibition Revelation, by Teresa Gancedo, at L’Afolí de la Sal, l’Escala.

 

 

 

 

 

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